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Rough sky-blue turquoise cabochons and red coral beads set in hand-worked silver, worn at the throat over a dark wool collar, cropped with no face in frame
In Tibet a turquoise stone is worn as the seat of the soul and judged by seven words — sky-blue, no cracks. Why the stone guards travellers, what it means in Tibetan medicine, and how to tell a good one from a filled one.
Three black-and-white dzi beads resting on dark linen, each with white eye circles and line work on a dark ground, soft daylight raking across the stone
A dzi bead is read by its eyes and its marks. What one eye, three eyes, and nine eyes are worn for, and what the lotus, the vase, and the tiger stripe are said to carry.
A Tibetan silver necklace with rough turquoise cabochons, red coral beads and a banded agate dzi bead, worn over a dark wool robe, cropped at the chest with no face in frame
Tibetan jewelry is chosen for what it stands for, not only how it looks — turquoise for the soul's seat, coral from the deep, dzi said to fall from the sky. How Buddhist thought shapes the stones, the pieces and the patterns.
A finished Tibetan thangka hung from a dark rod, a serene green-haloed deity painted on cotton inside a deep-red and yellow silk brocade border and pleated canopy
A thangka is drawn on sized cotton in mineral and gold pigment, the face painted last. For the painter it is not art first — it is a practice, learned from scripture.
A hand holding the wooden grip of a hand-held Tibetan prayer wheel, its silvered and gilt drum set with turquoise and coral around an engraved mantra band, a brass counterweight hanging from a chain at its side
A prayer wheel holds a printed mantra, and one clockwise turn is one recitation of it. How the hand-held and monastery wheels work, and how to turn one properly.

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